The Chitlin’ Circuit. For those of you who have heard of the pre-civil rights movement music circuit it usually denotes second-rate acts. Musicians were relegated to the Chitlin’ Circuit. But a 2005 interview between Preston Lauterbach, a freelance Memphis writer, and Sax Kuri, a former Chitlin’ Circuit star, inspired Lauterbach to research the history of the Circuit. What he found was a rich, creative, dynamic arena for black musical acts that laid the foundation for rock music. Lauterbach’s findings, published in a book called The Chitlin’ Circuit and the Road to Rock N’ Roll, carefully map out the intricate connections between the Circuit’s performers, many of whom never received adequate recognition, and the birth of rock music.

The Chitlin’ Circuit was named after chitterlings, cooked hog intestines, which are an ingredient in soul food. Originally emerging during the 1930s, the Circuit consisted of African-American music acts that toured throughout the Midwest and South playing in segregated nightclubs. Several famous artists emerged out of the Circuit such as Ike Turner, B.B. King, Little Richard, James Brown, and Ray Charles.

Lauterbach vividly describes the various performers, promoters, agents, and nightclub owners who were the lifeblood of the Circuit. He interviewed numerous Circuit artists and surviving relatives, and studied various media sources such as newspapers, scrapbooks, and even old city directories to tell a story of “ the numbers racket, hair straighteners, multiple murders, human catastrophe, commercial sex, bootlegging, international scandal, female impersonation, and a real female who could screw a light bulb into herself—and turn it on” (11-12).

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