Pages
Categories
Contributors
- Andy Edwards (12)
- Christian Scharen (12)
- Daniel White Hodge (12)
- David Dault (18)
- David Nantais (77)
- Gina Messina-Dysert (10)
- Henry Lowell Carrigan (2)
- Ian Fowles (1)
- Jeffrey Keuss (15)
- Jennifer Otter (9)
- Loye Ashton (2)
- Maeve Heaney (10)
- Mary McDonough (99)
- Michael Iafrate (76)
- Myles Werntz (1)
- Natalie Weaver (11)
- Rachel Bundang (4)
- Tom Beaudoin (777)
Recent Posts
- “As if it is part of my body”: On the Spiritual Significance of the Body and/as Instrument(s)
- For the Love of the All (the All of You)
- “In the Arms of the Angel”: Music and Evangelization
- From “Mission” to “Dialogue” in Theological Appreciation of Music
- From the Vault: “Practices That Are Most Always a Good Idea”
Recent Comments
- Dave Nantais on From “Mission” to “Dialogue” in Theological Appreciation of Music
- Dave Nantais on Death (the Detroit punk band) finds new life
- Janet Sassi on Mark Frickey, RIP
- Dave Nantais on Death (the Detroit punk band) finds new life
- T Beaudoin on Death (the Detroit punk band) finds new life
Recommended
- Bruce Springsteen's "Wrecking Ball" Faith vs. Evangelical Certainty
- Hungry like the Wolf: What This Blog Is Doing Here
- Is it Weird to Pray for Rock Stars?
- Knockin’ on Heaven’s Door: What Makes Music “Sacred”?
- Rock as "Interruption" and Bearer of Dangerous Memories
Archives
- June 2013
- May 2013
- April 2013
- March 2013
- February 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- June 2012
- May 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- January 2011
- December 2010
- November 2010
- October 2010
- September 2010
- August 2010
- July 2010
- June 2010
- May 2010
- April 2010
- March 2010
- February 2010
- January 2010
- December 2009
- November 2009
- October 2009
- September 2009
- August 2009
- July 2009
- June 2009
- May 2009
- April 2009
- March 2009
- February 2009
- January 2009
Green Rock, Nuns, and the Little River Band
Posted in: General,News Items,Politics by Tom Beaudoin on June 29, 2009
Check out this story by Ben Sisario in today’s New York Times about Brooklyn Bowl, the new rock club with bowling alley (or bowling alley with rock club) that will soon open in New York City. Sisario’s story contains some interesting examples of the move toward green rock shows, and mentions the non-profit Reverb, which helps plan more sustainable music events. Their website opens up a whole world of ideas about marrying a rock imagination with an environmental imagination. (Check out their partners list, including artists Kelly Clarkson, Beastie Boys, Aimee Mann and more – along with an impressive list of businesses and non-profits; some videos; and their current projects, which include some rock shows that would otherwise leave a substantial negative footprint.) Different kinds of rock have worked out different kinds of political commitments (such as gender quality, racial justice, sexual diversity, human rights, spiritual freedom) at different points in the developments of subgenres (such as punk, glam, progressive, funk), but it is fair to say that a lot of the “rock scene” has a long way to go on green issues. These kinds of themes provide natural links to theological awareness, and move us a step closer both to a realization of a more thoroughly rockish existence, and to the invention and valorization of a new definition and way of life for rock itself. The more this happens, the more we will see how as in so many other ways, Catholic women religious were prophetically anticipating the future in their turn to earth ministries (see Sarah McFarland Taylor’s excellent book Green Sisters) which we may find will overlap substantially with the theological functions of green rock cultures. That’s research yet to be undertaken.
Some readers of this blog will hate me for it, but I’m going to paste in below a link to Little River Band’s environmentally positive, and lavishly constructed and performed, tune “Cool Change.” Back in the 1970s and early 80s, LRB was all over rock radio. And it seems to me they captured a rockish and theological mood in their cry: “Now that my life is so prearranged / I think that it’s time for a cool change” …
Why not remember this rare example of a rock ballad that is not about an anxious romance? “The albatross and the whale, they are my brother.”
Tom Beaudoin
Hastings-on-Hudson, New York