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What is the relationship between reading and hearing? How about the relationship between reading theologically ‘overcharged’ texts, like scripture, and hearing theologically ‘undercharged’ music, like popular music? In other words, how is theological material extracted from reading and hearing, by readers and hearers?

I was thinking about this recently as I reflected on some shifts in my own thinking about reading scripture. For my book Consuming Faith: Integrating Who We Are With What We Buy (Rowman and Littlefield, 2003), I had written an appendix for the first printing about reading scripture, because by the time I had written the book, I realized how much I was relying on interpretations of scripture to carry the argument, and that was already becoming a place of puzzlement for me. By the time of the paperback, I had written a new preface revising my take not only on the appendix but what was in the book, as well. In one sense, these were my ongoing reconsiderations about reading scripture. I wonder what lessons they give, if any, about hearing music.

It may take me a few posts to being to open this up. Here is the “Appendix: On Reading Scripture” from Consuming Faith:

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Appendix: On Reading Scripture

The one precondition for reading the Bible fruitfully is knowing how to read it.

I long ago gave up the idea that the Bible has one answer for anything. I confess to nausea at any mention of “a biblical worldview,” which has for many years now seemed to me like something between intellectual dishonesty and spiritual manipulation.

The Bible is a motley assortment of stories, poems, myths, hymns, letters, histories, and aphorisms that submit to no single controlling principle. Despite all attempts to smooth over the tensions, discrepancies, and contradictions in it, the heterogeneity of the Bible defies all attempts to reduce it to one program, theology, perspective, or worldview. Even calling it “the Bible” (literally, “the book”) can be the beginning of idolatry. (I much prefer (more…)