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- Stories, Transcendence, and My Morning Jacket
- Retiring Rock and Theology
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- dalibor on Bruce Springsteen’s “Wrecking Ball” Faith vs. Evangelical Certainty
- jeff on Stories, Transcendence, and My Morning Jacket
- Tom Sragner on On the Spiritual Benefits of Following a Band for a Long Time, Part 4 of 4
- Joe Iafrate on Geddy Lee, Jewish Atheist
- Ingrid on Geddy Lee, Jewish Atheist
- Bruce Springsteen's "Wrecking Ball" Faith vs. Evangelical Certainty
- Geddy Lee, Jewish Atheist
- Hungry like the Wolf: What This Blog Is Doing Here
- Is it Weird to Pray for Rock Stars?
- My Sweet Lord: George Harrison, the Spiritual Beatle
- Prayer, Fasting, Almsgiving, and... Songwriting?
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We now bring this blog to a conclusion, after five years’ journey. Thank you again to our contributors and to all of our readers, and to our host, Liturgical Press. Please browse the archives to find out what you might have missed, and let the archives open up new occasions for furthering your own explorations into the relationship between theology and music.
We end today as we began five years ago, with the assistance of Kiss: “God Gave Rock and Roll to You”…
Thank you very much! Good night!
Posted in: General by Tom Beaudoin on December 23, 2013
Now that Rock and Theology is closing up shop in a week, this might be a good time to think about meeting your rock-and-theology needs in 2014 and beyond. What books, blogs, bands, or beyond would people recommend?
Remember there are also good books on popular music and religion/faith/spirituality by many of this blog’s contributors, including Christian Scharen, David Nantais, Daniel White Hodge, Maeve Louise Heaney, Ian Fowles, and Jeff Keuss — and I hope I’m not forgetting anyone. And there is the recently-published book Secular Music and Sacred Theology, which is a good introduction to a range of ways of making theological sense of pop music.
What other resources would you want people to know about?
Posted in: General by Mary McDonough on December 22, 2013
VH1’s “Storytellers” is one of my television favorite shows. It features musicians who perform in front of a small live audience and tell personal stories about their music.
Recently I watched My Morning Jacket’s performance on the show. The episode actually aired in 2011 but this was the first time I’d seen it. At one point, Jim Jones, the band’s lead singer/guitarist/songwriter, told a very poignant story about a late friend. As many childhood buddies do, the two of them shared dreams together. Dreams of performing in a band, of being successful musicians. Unfortunately Jones’ friend died young but he has not been forgotten. Jones wrote a song called “Dondante” in honor of his friend. Here is the video clip from “Storytellers.” Listen to the very end of the video because there is more to the story.
What I love most about this video is the rawness, the emotional vulnerability Jones shares with his audience. It epitomizes the intersection of rock music and theology; an intersection that can be described as a crossroads where we go to experience transcendence—a kind of “release” from our “selves,” our egos, and our physical limitations. Transcendence takes us on a special journey, an “expedition of the soul,” that can lead to redemption, to shared suffering, to joy, to healing, to mourning, to meaning. To so many places where mere ordinary words simply cannot take us; where only melodies, lyrics, chants, prayers, rituals, and stories can lead us. Places we need to go because we are embodied souls searching for the Mystery that is God.
A good number of religious traditions teach that while what is finally good will never expire, everything that is not of ultimate significance must meet its end. And so it is for Rock and Theology.
This blog started five years ago, in January 2009, and has featured some 1300 posts. Thank you to all of our readers, those who read and responded with comments or private emails, and those who read and kept quietly their own counsel all the while. This blog will be kept up until 31 December, and shortly thereafter will be turned into an archive.
It has been a joy for me to get to know the contributors to R&T and to learn from their conversations, their blog posts, their music, and their published writing. This project has been consistently and creatively supported from the beginning by Liturgical Press, and I am very grateful to Liturgical Press for their encouragement to innovate and experiment with this format for theological reflection, to try to find new ways to make theological work an accessible, thoughtful, and serious (and playful) presence in contemporary culture. Many thank yous, contributors, and many more thank yous, Liturgical Press!
I will be moving on to other projects, including further work on theology and music. Thank you to all our readers for your attention, support, and comments. Most of all, thank you for deepening and complexifying the basic conviction that got this project started in the first place: that the intersection of music and theology is a place of potentially vibrant experience and inquiry. This work keeps me, and many others, connected to the search for what matters most.
The weeks before Christmas bring new holiday albums from a multitude of artists. But none this year is as unexpected as the Christmas album from the punk band Bad Religion. Why would this group release a Christmas album? Here is a link to a great interview on CBC radio that Jian Ghomeshi conducted with Bad Religon frontman Greg Graffin. Graffin does an amazing job describing why Bad Religion is interested in Christmas music–and it may surprise you!
In one of my previous posts (here) I mused about why pop and rock musicians release holiday albums. I would love any feedback R&T readers may have on this topic.
Rolling Stone recently listed the top 12 heavy metal songs for “unsilent, unholy nights” that you can all enjoy reading here
Here’s one of my favorite Christmas song covers by Aimee Mann:
What is your favorite rocked-out Christmas carol?!
Dave Nantais, Detroit, MI
Posted in: Buddhism,General,News Items by Tom Beaudoin on December 18, 2013
Tonight I read music critic Jon Pareles’ report in today’s print edition of the New York Times about the celebration/memorial of Lou Reed’s life on Monday at the Apollo in Manhattan.
The evening featured samples of many genres of Mr. Reed’s work, testimonies from friends, experiences of tai chi, reminders of Tibetan Buddhist teachings, and appreciations for how ruin can become glory.
Religion, love, outsider ethics, bodily askesis. These are essential elements of rock and roll. It is fitting that they show up at a service dedicated to taking the measure of a rock artist’s life. You cannot unmake the spiritual dare that rock and roll has always promised to afford. It is a dare to which Mr. Reed continually consented. It is almost too much to read that Mr. Reed’s spouse, the artist Laurie Anderson, shared that Mr. Reed’s final words were: “Take me out into the light!”
Here is rough video of Ms. Anderson talking about Mr. Reed on Monday night:
Tommy Beaudoin, Hastings-on-Hudson, New York
Like any new band, FiRock is anxiously awaiting the release of their first album. Luckily, they won’t have to wait much longer because Time of Change will be out later this month. While there are several rock bands in the Middle East, what makes FiRock unique is their lead singer. Actually it’s his day job that makes the band so unusual. Ahmet Tuzer is a third-generation imam. Imams lead Sunni Muslim worship services, serve as leaders of the religious community, and provide religious guidance. There are approximately 100,000 imams in Turkey today.
Here is the band’s first official video of their song “Mevlaya Gel” (“Come to God”):
The problem is that imams, who are state employees, are also governed by a strict clerical code. So when Tuzer’s band began to get some media attention, Turkey’s Diyanet, or office of religious affairs, started an investigation to see if Tuzer’s music activities are in line with Sunni religious values. Tuzer, hoping to establish a new music genre called Muslim rock, denies that he is doing anything wrong. In fact, he claims that he is simply trying to use his music to reach out to young people:
There are many old Islamic hymns and songs, but young people today don’t listen to them. Our aim is to wrap these songs into rock, blues and psychedelic music, if necessary, to create a style that the young people like. Music is one of the ways to get closer to God. (WSJ, Dec.5, 2013, p. A14)
Tuzer’s journey along the delicate path between religious doctrine and musical artistry reminds us once again of that hazy line between the sacred and the profane.
For more information on the rockin’ imam, check out this NPR story about Tuzer.
Posted in: General by Michael Iafrate on December 13, 2013
Rock and Theology friends, please take a look at this exciting call for papers for a conference called “Music, Theology, and Justice” to be held at the University of St. Michael’s College at the University of Toronto October 24th–25th, 2014:
Music is present in virtually all human cultures and it has been integral to Christian life and worship for two millennia. In recent scholarship, there has been a growing interest in the relationship between music (as a practice and as an academic discipline) and theology (as an academic discipline arising from the practice of faith).
The purpose of this interdisciplinary conference is to gather together scholars interested in exploring further the relationship between music and theology. In particular, the conference will consider theological issues raised by the social practice of music, and implications for justice, ethics, morality.Music does not make itself. It is made by people: professionals and amateurs, singers and instrumentalists, composers and publishers, performers and audiences, entrepreneurs and consumers. In turn, making music shapes those who make it—spiritually, emotionally, physically, mentally, socially, politically, economically, etc.—for good or ill, harming and healing.
We seek proposals for papers or lecture-recitals (25 minutes long), or poster presentations in, but not necessarily limited to, the following areas:
1. Communities shaping and shaped by musical practice.
2. Ethics of music in worship, in society.
3. Music as action of justice and for justice.
4. Music, power, leadership, and responsibility.
5. Uses (and abuses) of music in religious education and spiritual formation.
6. Ethics of performance and participation.
7. While the music of worship is an obvious point of reference, we encourage proposals that examine a wide range of musical experiences through a theological-ethical lens.
For the full flyer with more information, click here.
Posted in: General,Musical Performance by Tom Beaudoin on December 13, 2013
There are at least two major directions one can take a spiritual orientation in our heavily technologized world full of devices (ours and others’) that constantly bleat for attention: One is to search for God/ultimate reality/divinity/consolation/etc in and through technology. All the recent theologies that attempt to teach ways of spiritual progress through engaging digital technology are examples of this. Another is to find God/ultimate reality/divinity/consolation/etc in and through setting aside the intrusion of digital culture on our personal/private passions.
This debate is at the heart of media theorist Douglas Rushkoff’s recent book-length study, Present Shock, and while I cannot subscribe to the polarities on which his analysis seems to trade, I nevertheless find his deep questions bracing, especially if they are heard in the context of the human search for life’s “more” that those who care about “theology” have been exploring in various ways for thousands of years.
It was also on my mind as I listened to Billy Squier talk recently about how he thinks about his life priorities in this interview:
Squier, in turning away from digital culture as much as he can, in favor of volunteering in New York City’s Central Park, says “I learn a lot from the (more…)
Posted in: Christianity,General,Practices by Tom Beaudoin on December 9, 2013
Tonight in my “Foundations of Pastoral and Practical Theology” class at Fordham, I related the legacy of Nelson Mandela to the attempts of Christian theologians to make practices of liberation central to church life and theological tradition. Mandela, while (of course) far from a “perfect” human being, found it within himself to attempt to creatively heal and even outwit color- and culture-based forms of discrimination in South Africa. Here is Anglican Archbishop Desmond Tutu talking about Mandela:
In class, I suggested that theologians committed to liberation can be understood to be intervening in restrictions on reality, trying to change situations that are too small for humans, attempting to facilitate new ways of being alive in scenarios in which freedom is circumscribed by material-spiritual want. In that vein, the funeral of Nelson Mandela affords an occasion to ask whether and how people and institutions that identify as religious/spiritual/etc are perpetuating inherited social stratifications.
In the realm of liberating practices must surely come the enjoyment of music that changes one’s life. In that vein, some politically aware anthems rise (more…)Next Page »